• Slipped Knot
  • Suspended Catch
  • Second State Change
  • Untitled (Roll Up)
  • Untitled (Parks & Yards)
  • Untitled (Holding Breath)
  • Untitled (Yard Sign)
  • Untitled (Web)
  • Untitled (Hanging Quilt)
  • Untitled (Standing Window)
  • Façade (for Oristà)
  • Untitled (Rope Piece)
  • Façade (for Dallas)
  • Untitled (Cheesy Toast)
  • Untitled (Gooey Cheese)
  • CV
  • Post Gallery
  • Writing
  • Menu

Hannah Rotwein

  • Slipped Knot
  • Suspended Catch
  • Second State Change
  • Untitled (Roll Up)
  • Untitled (Parks & Yards)
  • Untitled (Holding Breath)
  • Untitled (Yard Sign)
  • Untitled (Web)
  • Untitled (Hanging Quilt)
  • Untitled (Standing Window)
  • Façade (for Oristà)
  • Untitled (Rope Piece)
  • Façade (for Dallas)
  • Untitled (Cheesy Toast)
  • Untitled (Gooey Cheese)
  • CV
  • Post Gallery
  • Writing

 

Looking for South Africa, But Seeing Nando’s

Printers, Produce, and Changing Power in the Art World: An Interview with Gracelee Lawrence (Glasstire)

Beauty and Unease: Jessie Homer French at Various Small Fires, Dallas (Glasstire)

Antiquity & Standing Paintings: Paulo Nimer Pjota at the Power Station, Dallas (Glasstire)

Digital Media at the 2019 Venice Biennale (Peggy Guggenheim Collection staff magazine)